KeroVee AutoTune’s highlight, however, is its smooth sound. It even has a MIDI input that works flawlessly in real-time. If you take the time to get to know KeroVee AutoTune’s settings, you’ll have a free AutoTune that does pretty much everything premium pitch correction VSTs can do. ![]() This free pitch correction tool is not the easiest to navigate, but it’s a beast both in terms of sound quality and versatility. KeroVee AutoTune may not look like much, but its humble design proves once again that it’s wrong to judge a book by its cover. It’s also ideal for producers who want to improve their workflow and need a ready-to-use AutoTune that will get the job done. This excellent plugin is perfect for singers who use AutoTune but don’t know a lot about the ins and outs of music production. In mere seconds, Voloco will turn any out-of-tune vocal recording into a flawless performance. ![]() If you feel like you’re one of the latter, Voloco is the AutoTune plugin for you.Īll you have to do is select a preset (Hard, Natural, Big Chorus, and so forth), set the key and scale, and define the level of pitch correction. Others, however, wish VSTs were as simple and direct as possible. Some music producers like to work with tools that give them plenty of options. Downloading this plugin for the price of nothing is such a great deal that it almost feels like cheating. The highlight, however, goes to AutoTune EVO’s sound, which is very similar to the sound of Antares’ paid VSTs. Developed by Antares itself, it was made available for free through the company’s official website after being discontinued.ĪutoTune EVO has everything one should expect from an automatic pitch correction tool, including a module for shaping vibrato and the possibility of learning and targeting notes via MIDI. If you’re looking for a free alternative to Antares AutoTune that gets as close to the real deal as possible, AutoTune EVO is the plugin you need. The Width knob is also great, especially for dealing with mono recordings. One of those features is the Formant Shift knob, which can be automated to create cool sound effects on the go. The possibility to add and remove notes from standard scales makes MAutoPitch as versatile as any pitch correction plugin out there, and there are even some additional features you won’t find in the original Antares AutoTune. This pitch-correction tool works in real-time and allows music producers to choose between four different types of scales: chromatic, major, minor, and pentatonic. All of their free VSTs are great, but MAutoPitch is particularly amazing. “We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles.When it comes to free plugins, MeldaProduction really shines. He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. The first of the Special Merit Awards to be presented went to the Munich software house Celemony. And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker. I believe our company is the smallest ever to have received a Technical Grammy. “This is an honor none of us ever expected. The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. ![]() ![]() On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy.
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